11/30/2023 0 Comments Sweetie filmThe story, however, portrays a reality without Christ and unintentionally reinforces a truism: Families that pray together stay together. The acting and story (though at times hard to follow) are credible and believable. Though great strides have supposedly established the field of psychology, there is still an equally great lack of direction for handling severe cases of borderline insanity. As the family desperately tries to reunite, chaos blankets their lives with a no-win circumstance. The parents have temporarily split up over the recurring tiff - what to do with Sweetie. To make matters worse, in moves Sweetie, following Kay’s example with her own demented version of a live-in beau. The audience is introduced to the story through Kay, who leaves home for the first time with a boyfriend and is adjusting to her domestic (albeit promiscuous) arrangement with great difficulty. The plot is a chronology of a tragic situation involving a family with a not-so-typical problem: Sweetie. The story centers on Kay whose life involves three issues: her belief in dreams and tea-leaf reading, her live-in boyfriend’s fascination with TM (Transcendental Meditation) and, mainly, her sister’s consuming lunacy. She is frighteningly unpredictable, sensual, fat, and pitiful. Sweetie, on the other hand, is a demanding, uncontrollably aggressive psychotic with an insatiable desire for attention. She is uncomfortably dispassionate, calculable and placid. Kay is a withdrawn, repressed young woman of limited imagination. Sweetie grossed $337,680 at the box office in Australia.Screened at the New York Film Festival, SWEETIE is a stark familial tragedy involving neurosis in a sibling relationship. The DVD version, released by the Criterion Collection includes three of Campion's earlier short films. In Australian Film, 1978-1994 it is described as 'a ghastly parody of the tyranny of family life'. She came up with the character and she and Gerard Lee started writing in February 1987 and finished in May. Jane Campion wanted to make a low budget contemporary feature. However, the best of Sweetie's personality persists, as Kay and her parents maintain an image of her in her most accurate form, that of a little girl. They no longer feel manipulated and agitated by her presence. The family appears resolved, no longer scattered. Though her family begs her to come down, she refuses, continuing teasing, tormenting and shaking the fort until it falls from the tree, injuring her mother and killing Sweetie. After a series of circular fights (variable rage and delusions, her family's forgiveness, proceeded by her sweetness and fun persona), she finally overextends the limit, stripping off her clothes, painting her body black and bouncing in her childhood tree house. Throughout, Sweetie's physically destructive nature (ruining Kay's clothes, breaking furniture) reflects the inner disruption she has caused her family. Louis, however, has found some freedom from his increasingly disconnected relationship with Kay because Sweetie lives uninhibited, with vigor and emotion (though extreme). Throughout, there are flashbacks of Sweetie dancing, singing and performing small, circus-like tricks with his assistance he wants the family to remain close and dislikes when Kay acts enraged with Sweetie. Kay's father chooses to ignore most of the erratic, childish behavior (though she has been hospitalized before) because he loves her as a little girl. Sweetie, from Kay's perspective, is selfish in her severe mental illness. Kay is quiet and superstitious, loving Louis because of the words of a fortune teller and experiencing deep foreboding towards a tree he attempted to plant in their yard. The film focuses on Kay's relationships with her boyfriend Louis, her parents and her emotionally unhealthy sister, Sweetie.
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